Welcome

So a long time ago (the mid-1990s), the greatest writer in comics agreed to take over the writing duties for Image Comics' Supreme. He would radically reshape the character, the book, and due to forces beyond his control, a whole comic book universe. And it led to an award-winning run of comics, three additional titles (among several proposed) and ultimately led to the genesis of Moore's much better known America's Best Comics. And then it all went out of print and was forgotten by way too many.

Having gathered quite a bit of information about Moore's Supreme and Awesome runs, I decided to create a home for the forgotten Awesome. Over the course of a year, I put it all together here.

Each week I did a main "Weekly Reading" post that was a read-through of that issue. I followed that up with a couple of other posts about topics from that Weekly Reading or whatever else I came up with to talk about. You'll find the lost Youngbloods in the Youngblood section and the fan-edit of the last Supreme in After Awesome.

Below is the archive of posts broken up by book. Thanks for checking the site out!

Book 1: Supreme: The Story of the Year

Book 1: Judgment Day

Book 3: Supreme: The Return

Book 4: Youngblood

Book 5: Glory

Book 6: After Awesome

Book 7: 1963

Book 8: Night Raven

Book 9: A Small Killing

Friday, September 15, 2017

The upcoming Forgotten Awesome reading order

After The Story of the Year storyline ended in Supreme, Moore started working on three other series: Judgment Day, Youngblood and Glory. He planned to have these series intermix, giving the opportunity for crossovers. However, Awesome's financial problems threw everything out of whack, so we need some clarity on what order to read all this in.

Starting next week, I'll be following the order laid out below for my weekly readings:

  1. Judgment Day Sourcebook
  2. Judgment Day Alpha
  3. Judgment Day Omega
  4. Judgment Day Final Justice
  5. Judgment Day: Aftermath (excluding the Youngblood and Glory stories)
  6. Supreme #53
  7. Supreme #54
  8. Supreme #55
  9. Supreme #56
  10. Supreme: The Return #1
  11. Supreme: The Return #2
  12. Supreme: The Return #3
  13. Supreme: The Return #4
  14. Supreme: The Return #5
  15. Supreme: The Return #6
  16. Awesome Holiday Special (the Youngblood story), Judgment Day: Aftermath (the Youngblood story) & Youngblood #1+ (Twilight's story)
  17. Youngblood #1
  18. Youngblood #2
  19. Awesome Adventures #1
  20. The leaked Youngblood script #4
  21. The leaked Youngblood script #5
  22. The leaked Youngblood script #6
  23. The leaked Youngblood script #7
  24.  Judgment Day: Aftermath (the Glory story) & Glory #0
  25. Glory #1
  26. Glory #2
  27. Supreme #63
Whew... that's a lot now that I look at it. Not all of them will take a week to cover, so I might not stick to the one issue per week schedule I've been on. And there's some more fun stuff I'll be throwing in. And depending on how I'm doing after all of this, I may look at some of the stories that came after Moore that used his characters and concepts, as well as how the ABC universe grew out of the Awesome universe.

Anyway, I hope you'll continue on this crazy ride with me.

Wednesday, September 13, 2017

Weekly Reading: Supreme #52b - part 2

(As always: Supreme is currently out of print. There are a number of ways to read it, which can be found on the How do I read Moore's Awesome works page.)

Okay, hopefully you've kept up and read both the main story in #52a and the backup features in #52a and the main story in #52b. Now it's time to look at the backup material for #52b. Clear as mud.

While the backup features in #52a contained a retro Suprema story, the rest were mostly timeless features that could have been run at any point in Supreme's history. Not so with the features in this issue. These stories all have a distinct retro feel, but are wonderfully different from one another. Let's take a look.

We start with a one-page public service announcement that you'd often find in comics from yesteryear. I remember reading one-pagers with Spider-Man or some other character about not doing drugs or checking the battery in your smoke detector. Alan Moore being Alan Moore stretches this idea beyond the breaking point with "Supreme shines a light on National Flashlight Battery Inspection Day!"

Supreme warns two children that rather than going out to play, they should check the batteries in their parents flashlights, because who knows what tragedies could occur. Finding spent batteries, the children agree, "We'd better replace them all... and forget about going out to play!"

"That's right! Those kids may be happy now, yet by this time tomorrow they could be orphans!"

Some inappropriate laughter concludes the joke. Maybe I've read the joke too many times for it to stop being funny or it wasn't really all that funny to begin with, but it does add a nice little flavor to the wealth of extra features we get.

The second is much better. Another of the World's Finest pastiches, this is the "Secret Origin of the Professor Night/Supreme Team!" The trio of heroes are congratulating themselves after foiling the Walrus and the Carpenter when Professor Night shows them a picture of when Supreme and Professor Night met as children at Star Beach Amusement Park, which they'd both forgotten.

Twilight reminds us that Supreme and Professor Night met as adults on a hijacked plane and learned each others' secrets when they both excused themselves to change into their costumes. But Supreme does remember visiting his aunt in Star Beach as a kid. And there he saw the Kendall manor, where Taylor lived, but he didn't venture out during the day because of his illness. He also saw the boarders at his aunt's boarding house before heading to the amusement park.

At the park, he witnesses a gang dressed up like monsters rob the park. A young masked hero, calling himself The Midnight Mask, confronts them but gets thrown off the roller coaster. Kid Supreme turns up in the nick of time to save the masked boy. They chase the monsters into a tunnel, but lose sight of them. Kid Supreme's sight supreme bothers the Midnight Mask and they soon separate.

The next day Ethan called on Taylor and noticed sand in Taylor's shoes. Taylor, for his part, noticed hair dye on Ethan's fingers. They both admit to their secret identities. Taylor says that his idea came from the pulp magazines he likes to read, which feature stories on pulp heroes, including the Phantom Aviator. (This will be a point to remember for when we get to Judgement Day next week.)

The boys suit up and decide to check the tunnel again. They find a trap door that leads into a giant tunnel under Star City and Kendall Manor. There, one of the monster crooks tells the other two that the cave leads to the legendary underworld and kills the other two to keep it all for himself. Supreme and the Midnight Mask go after him, but he trips and falls into an underground river. The two heroes dive in to find him but the water's mysterious effects sap them of their powers. By the time they give up and head home, they've forgotten the whole adventure and each other.

This story concludes with Twilight wondering if the tunnels, which Professor Night built his Halls of Night into still lead to the real underworld. We never find out. This always seemed like an idea Moore meant to use later but never got the chance to return to.

Then we get an awesome assortment of covers (drawn mostly by Rick Veitch, but one is by Melinda Gebbie) from Supreme's adventures, from his "imaginary story" death to Judy Jordan getting secret powers to Supreme returning to biblical time.



Then there's this description:

"Always especially popular amongst Supreme readers have been those stories, like this one, where Supreme travels back in time using the League of Infinity's time-tower to match his skills against champions of the past. In this old testament tale, Supreme not only battles Sampson and Goliath, but uses speed supreme to part the Red Sea for an unwitting Moses, for whom he also sets the burning bush on fire using his heat vision."

Um... what? So Supreme was Moses' God? I love that Moore just tucked that in there.

Finally we get two week's worth of Supreme's newspaper comic strips where he fights a series of classic comic strip characters, such as Popeye and Li'l Abner. They turn out to be robots--Syndicatrons--created by a Rube Goldberg-like inventor, who is upset that the characters have stolen his space on the funny pages and set out to discredit them.

While it's impressive that Moore wanted to expand his examination of the Superman history even to the newspaper strips that were popular back in the day, what interests me is less the structure of them and what he decided to include within them.



I've talked before about how Moore was starting to erase the boundaries between fictional universes, and here he's continuing that effort. We're getting Supreme interacting with Popeye! Add that to the cover description suggesting that he interacted with Moses and you can see that there are few boundaries left for him.

You can say I'm reading too much into it, but I really think that by this point Moore has started to see all of fiction--including religion--as fair game to mix and play with. In Idea Space there are no boundaries.

Keep that thought in mind as we head into our next stage with Judgment Day.

As always, please check out the Supreme Annotations Page, for all of the details and references that I completely missed.

Monday, September 11, 2017

Weekly Reading: Supreme #52b - part 1

Published by Awesome Entertainment in September 1997


The cover:


Title: The Return of Darius Dax!

(As always: Supreme is currently out of print. There are a number of ways to read it, which can be found on the How do I read Moore's Awesome works page.)

And now for the second part of our conclusion to The Story of the Year! Don't be fooled by this Chris Sprouse cover, either. He won't be contributing any art to the inside. (Although, seeing that weird costume on Suprema, maybe it's a good thing he didn't.)

It's J. Morrigan's show, and I must admit that after Veitch and Sprouse, it's J. Morrigan that I think of fondly when I think of Supreme's art. Watch what he does with Suprema's hands. He often draws her using them daintily, which invokes her out-of-date morality and character. His work in this issue is beautiful and allows us to end this story on a great note. It's a shame, but after a few more issues of Supreme, he never worked in comics again. (If anyone knows what happened to him, please leave a comment below or shoot me an email, as I'd love to track him down.)

Let's dig in. We pick up mid-transition from last issue, as we finally get the Televillain's television reference in the reporter trying to question Suprema and Radar where they crash landed from their confrontation with Hilda. Radar can only bark, but Suprema talks to the camera. Realizing the footage will be archived, she tells Zayla 500 years in the future about the fight and asking for help from the time traveller.

This is a great technique for using the League of Infinity, but like the time travelling device in Harry Potter, sort of opens a Pandora's box of why don't they just call for Zayla's help in every emergency?

Suprema and Radar are spotted by Professor Night and Twilight in the Night Flyer, who join them to take the fight back to the Citadel. Prof. Night hides them in a blackout bomb while Suprema and Radar use their eye blasts against Hilda.

Inside, Dax in the Magno body decides that Omegapolis needs to be taught a lesson. Gunshots, though ineffective, stop him for a moment. Having received Suprema's message, Wild Bill and the League of Infinity emerge through the door from the Time Tower to confront Dax.

Dax thinks and then remembers: "Ahh.. The League of Infinity. I remember; an improbable and nostalgic teenage superteam with members from past, present and future. Sadly your past is historically absurd, your present standing is uncertain, and as for your future... you don't have one!"

What a great speech!

While the fight rages, Future Woman pauses time and goes into the Hell of Mirrors to rescue Supreme. She helps him out of the prison and suggests he wait a few minutes to heal now that his powers have returned. But he can't wait and rushes back to fight Dax.

Supreme is enraged because of Dax killing his former girlfriend Judy Jordan and as they fight, we hear Dax's side, too. "All those years suffering indignity in Littlehaven, always being second best, despite my genius, to some dumb hick who'd stumbled over a meteorite!"

Hilda, what's left of her, comes staggering in, with Suprema, Radar, Prof. Night, Twilight, Diehard and Glory after her. Dax doesn't like his chances, facing so many heroes and heads toward Supreme's science lab to get the supremium isotope, which is entering its violet stage. At that stage, anything is possible.

Then, in the conclusion to the longest running gag in Awesome history, who should turn up but Billy Friday, stepping out of the Time Tower doorway. Into the fray, he says: "Look, I told the convention organizers last time, I'm not judging any more fancy-dress events..." The supremium in Dax's hands causes Billy's limbs to multiply like we saw back in issue #45.

They manage to shove him into the mirror dimension again and then Supreme goes to stop Dax, but he's too late. Dax decides to merge with the Supremium and Supreme says that he feels deja vu coming on. The supremium radiates within Dax and falls through the floor. But as Supreme notes, he's not just falling through the floor, he's falling through space-time. Zayla opens a time window so they can watch where Dax goes.

Dax falls onto a farm in the late fifties where there's a girl and her dog... it's little Sally from issue #45, when the supremium man fell from the sky. "We're seeing the events that gave me my powers!" she says in the future.

They watch as the supremium man/Dax steals the supremium from that time and merges with it. His mass grows and he becomes a comet, falling through time and crashing in Littlehaven in 1925, where we see its radiation affecting a little boy and his dog. So Dax created his most hated foe in Supreme.

Nobody likes to do time-twisting stories like Alan Moore, so it's not surprising that this Story of the Year would wrap up in one. Of course the whole timeline doesn't make rational sense, what with the supremium isotope being created in the nineties, falling to the fifties and then falling back again to the twenties. But that's the idea. This story could only work with imagination. And isn't that what spremium really is?

Later on we see the heroes cleaning up. Supreme asks S-1 to create a ward for the comatose but mindless shell of the elderly Judy Jordan. The League heads back into their Time Tower. As Zayla says, "I met myself in the tower on our way down here, and apparently I'll return soon for the Youngblood Murder Trial... oh, but then you don't know anything about that yet, do you?"

Except the miniseries had already come out. So the readers and Moore are all ahead of Supreme. For us, we'll be taking up Judgment Day in the weekly readings next.

As Supreme waves goodbye in the Time Tower he sees the teenage version of himself from way back in issue #42, who saw the beefier version up the time stairs. The older version waves down, closing the loop.

Back in the Citadel, Suprema reports that Billy Friday is still expanding in the mirror prison, but the walls are holding. She asks if they should say something to the citizens of Omegapolis? Supreme agrees.


"Citizens of Omegapolis, this is Supreme! I have regained control of my citadel, and the menace is averted. I want to thank you all for staying calm in such frightening circumstances. I'm very proud of all of you. ... You are the heroes, the ordinary men and women of this planet. Without special powers or abilities, you struggle on. You are the reason we do this... You are Supreme!"

It's such a nice, uplifting ending. And if you like clearly-defined endings, this might be a good place for you to exit. After this, the proceedings get messy, storylines are never finished, and the promise of Awesome Entertainment goes down the financial tubes.

But for now, the heroes have returned. And for Moore, the idea of superheroes has returned with it. The wonder and bravery and above all, the imagination.

That is what is Supreme.

Look for a post later this week on the ton of extras that were packed into this issue.

And as always, please check out the Supreme Annotations Page, for all of the details and references that I completely missed.