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So a long time ago (the mid-1990s), the greatest writer in comics agreed to take over the writing duties for Image Comics' Supreme. He would radically reshape the character, the book, and due to forces beyond his control, a whole comic book universe. And it led to an award-winning run of comics, three additional titles (among several proposed) and ultimately led to the genesis of Moore's much better known America's Best Comics. And then it all went out of print and was forgotten by way too many.

Having gathered quite a bit of information about Moore's Supreme and Awesome runs, I decided to create a home for the forgotten Awesome. Over the course of a year, I put it all together here.

Each week I did a main "Weekly Reading" post that was a read-through of that issue. I followed that up with a couple of other posts about topics from that Weekly Reading or whatever else I came up with to talk about. You'll find the lost Youngbloods in the Youngblood section and the fan-edit of the last Supreme in After Awesome.

Below is the archive of posts broken up by book. Thanks for checking the site out!

Book 1: Supreme: The Story of the Year

Book 1: Judgment Day

Book 3: Supreme: The Return

Book 4: Youngblood

Book 5: Glory

Book 6: After Awesome

Book 7: 1963

Book 8: Night Raven

Book 9: A Small Killing

Friday, March 2, 2018

Batman and Robin sitting in a tree...

I've read issue #8 several times now and the thing I get stuck on every time is Professor Night and Twilight...is he flirting with her? I've already talked about how Alan Moore laid out the pieces for that reading of the characters' relationship in the proposal and what he's shown in previous issues, so I won't go over that again. But I think it gives us the opportunity to talk about what he and the fan-creators might be commenting on: Batman and Robin and the gay subtext.

There's this wonderful Slate article about the history of that gay subtext that I'll be quoting from heavily. In it, the author quotes Grant Morrison:

"Gayness is built into Batman. Batman is VERY, very gay. Obviously as a fictional character he’s intended to be heterosexual, but the whole basis of the concept is utterly gay. I think that’s why people like it. All these women fancy him and they all wear fetish clothes and jump around rooftops to get him. He doesn’t care—he’s more interested in hanging out with [Alfred] and [Robin]."

As the article explains:

"from the opening page of Robin’s debut story in the April 1940 issue of Detective Comics No. 38 featured an introductory scroll jammed with breathless declamatory copy about “THE SENSATIONAL CHARACTER FIND OF 1940 … ROBIN, THE BOY WONDER!” It began, “The Batman, that weird figure of the night, takes under his protecting mantle an ally in his relentless fight against crime …”

 



"Or at least, that’s how it was supposed to begin. But the page’s letterer, tasked with squeezing a hell of a lot of text onto said scroll, unwittingly shoved the words “an” and “ally” so closely together as to effectively elide the space between them. Thus, the first thing readers ever learned about THE SENSATIONAL CHARACTER FIND OF 1940 was that he was someone whom Batman “took under his protecting mantle anally ...”

There were also all those strange situations the two found themselves in:


  

  

In his book, Seduction of the Innocent, about how comics were warping our dear children, Dr. Fredric Wertham devoted several pages to the dynamic duo's relationship.

He wasn't the only one who saw it:

"Queer readers didn’t see any vestige of themselves represented in the mass media of this era, let alone its comic books. And when queer audiences don’t see ourselves in a given work, we look deeper, parsing every exchange for the faintest hint of something we recognize. This is why, as a visual medium filled with silent cues like body language and background detail, superhero comics have proven a particularly fertile vector for gay readings over the years. Images can assert layers of unspoken meanings that mere words can never conjure. That panel of a be-toweled Bruce and Dick lounging together in their solarium, for example, would not carry the potent homoerotic charge it does, were the same scene simply described in boring ol’ prose."

Everyone has been aware of the subtext since Wertham, with DC and later the TV show going out of their way to add female characters to Wayne Manor. But when George Clooney appeared on movie screens with bat nipples, well...

Maybe it's not our business what happens with consenting adults. And if you don't think Moore would agree, maybe you need to go track down SMAX.

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