Welcome

So a long time ago (the mid-1990s), the greatest writer in comics agreed to take over the writing duties for Image Comics' Supreme. He would radically reshape the character, the book, and due to forces beyond his control, a whole comic book universe. And it led to an award-winning run of comics, three additional titles (among several proposed) and ultimately led to the genesis of Moore's much better known America's Best Comics. And then it all went out of print and was forgotten by way too many.

Having gathered quite a bit of information about Moore's Supreme and Awesome runs, I decided to create a home for the forgotten Awesome. Over the course of a year, I put it all together here.

Each week I did a main "Weekly Reading" post that was a read-through of that issue. I followed that up with a couple of other posts about topics from that Weekly Reading or whatever else I came up with to talk about. You'll find the lost Youngbloods in the Youngblood section and the fan-edit of the last Supreme in After Awesome.

Below is the archive of posts broken up by book. Thanks for checking the site out!

Book 1: Supreme: The Story of the Year

Book 1: Judgment Day

Book 3: Supreme: The Return

Book 4: Youngblood

Book 5: Glory

Book 6: After Awesome

Book 7: 1963

Book 8: Night Raven

Book 9: A Small Killing

Wednesday, March 21, 2018

The Moore seeds for Youngblood #11

I think the biggest Moore seeds for this issue came in how the fan creators used Sylvia Plath's writings in a similar way to how Moore is currently using H.P. Lovecraft. (Well, and a few Lovecraft monsters thrown in.) Let's check out some more:
  • Here's what Moore had to say about Johnny's backstory in his proposal:
and
  • The setup with the Occupant taking over Badrock came from the proposal, as well (we'll see the Allies show up next issue):
  •  Bringing in Maximage probably comes from here:
  • How they treated Lord Sin is new and quite darker than we've seen before. I think this is an interesting bit, though I'm not sure if it came into play with their thinking:
  • The cover of Kid Supreme was an obvious homage to how Moore handled the backstories in Supreme:
  • The bickering Clintons is another obvious homage to the Clintons' appearance in Supreme: The Return #1:

Any that you noticed that I missed?

Monday, March 19, 2018

Weekly Reading: Youngblood #11

Never published by Awesome Entertainment


The covers:



Title: Johnny Panic and the Bible of Dreams

(Later issues of Youngblood were never in print. The only way to read them can be found online. Obvious pseudo-lawyer language: If anyone who owns the rights to these issues/scripts has a problem with me linking to them or posting pages from them, let me know and I'll remove them.)

You know how Alan Moore has gotten into H.P. Lovecraft's writing, and the more you know and have read of Lovecraft, the more you start seeing in Moore's work? Something similar is happening here, but instead of Lovecraft, the fan-creators have delved deeply into Sylvia Plath's writing, notably her prose as much as her poetry. I had read some Plath before this, but I started to dig into more and more for this series, which is not something I was expecting.

All of this is to say that a healthy understanding of Plath's prose will enhance the reading of this, and I will attempt to provide that as best as I can here.

Let's dig in. We start off with two versions of the same cover. Johnny is wrapped up in a tentacle and a woman is holding him lovingly. It's a bit of a spoiler to reveal who either is, but as this whole weekly reading is a spoiler, note that it's a young version of Johnny's mom and her much darker persona we see next issue.

The issue starts with Johnny in the Azure, from way back on page 1 of issue #1, but the tentacles that are about to grab him are not the tentacles of the Veil, but of some Lovecraftian thing. Johnny's captions tell us about fear, and how it can be overwhelming. And then he wakes up from the dream.

We've seen before that the Occupant left some memories in the bodies he hosted, even from previous bodies. So it makes sense that Johnny would be having flashes from the volunteer who got occupied in issue #1.

Johnny's now living in his mother's house, having gotten kicked out of Youngblood. She calls him in while doing tarot (having drawn the fool--most likely Johnny, the tower, the reversed moon, and the star. These have significance for the story in this issue and next, if you notice them). She tells Johnny that they must send information about his dream to the Dream Administration and Research Institute of the United States (spoiler: D.A.R.I.U.S.). Johnny agrees to take one of the journals to be mailed.

We see in the background that Badrock is in Washington, DC, to film the sequel to the Youngblood movie we saw back in issue #7.

Then we get Johnny's backstory. He lived in a creepy house with his nuts mom. She used to hang out with Sylvia Plath in Boston before getting married to Johnny's stepfather, Peter Paneczik. Eventually she had Johnny via in vitro fertilization. Pretty soon Peter left. But Johnny got into chemistry and drugs. He also had a dream (with a clearly older Johnny Panic--I wonder if that'll come back) that showed him "that reality is just an illusion that we can make into whatever we want or need. So why not screw with what people think is real and have some fun?" So he made the supersuit and joined Youngblood.

But then he got kicked out of Youngblood (it's all Suprema's fault for not taking a joke). His mom tells him that his dreams make him special, so he decides to go to the dream institute to see if they can tell him why. (Note, there's an easter egg here, with a reference to Washington, DC's famous Exorcist Steps, named for the film The Exorcist, which plays nicely with the woman at the center of this issue and her demonic possession.)

Meanwhile, on the set of Youngblood 2, Badrock is having trouble remembering his lines. On his way back to his trailer, he runs across the bird we saw at the end of issue #9, and soon is being controlled by the Occupant. And he starts heading towards Washington, DC's more famous landmarks.

At the House of Wax, Sally is talking to Twilight about breaking up with Leonard and how Rachel better not be flirting with him. A phone call comes in from Lori Sanders, Maximage. The other mages at the great table (which we saw in Judgment Day Aftermath) have warned her that Youngblood must stop one of their own or the world could be destroyed. They agree to meet her at the White House.

In Omegapolis, Johnny turns up at the abandoned museum (mentioned way back in Youngblood #3 and in Supreme: The Return #2 and #5) that is Darius Dax's hideout. Note the tower with the lightning. That's tarot card #2. He quickly gets captured by Dax, who explains that he's Johnny's father. Dax asks after Johnny's mother, Esther: "As crazy as ever?"

Dax tells Johnny that he met Esther in a Boston mental institution (in a nice callback to the party scene from earlier), where Sylvia Plath was. She kept going on about Johnny Panic, the master of nightmares, the keeper of madness. Dax realized that she was seeing into another dimension, and with his assistant, Cosmo Wican, made a way to view the dimension, which he named the Azure. Dax decided that a son with this dimensional connection and his native intelligence could finally destroy Supreme. So, even though he was dead (as seen in Supreme #42), he gave her the means to have a child. But, when that child grew up to become Johnny, he decided that it was just a failure.

Dax: "Your mother still sends me these indecipherable journals, but they're filled with gibberish about towers and moons, gods and possessed rocks. Honestly, it reads more like bad poetry." (Spoiler: ha ha!)

At the White House, Maximage reveals there's a prophesy that says the "rock of the youngest blood" will open a gate that will make madness and fear ever flood. And then there's an attack at the White House. They end up in the tunnels underneath the White House, where they find the Occupant-controlled Badrock.

Twilight tells Suprema and Maximage to get back, so they don't get possessed. Shaft and Twilight try to come up with a plan as good as Johnny's from the last time they fought the Occupant.

Meanwhile, Johnny has returned home and is confronting his mother. His mother, Esther Greenwood, tells him her backstory, about how when she was a teenager, she used to see shadows: "under houses and trees and stones, and shadow at the back of people's eyes and smiles." But she was okay as long as she kept busy. But then shadow moved in and she walled herself up and overdosed on a bottle of pills (spoiler: this was something that Sylvia Plath really did, though she was in a crawlspace in her dirt basement).

She woke up in a hellhole with a seven-headed Lovecraftian beast having bound her to a rock. She promises to do anything if it'll let her live. She agrees to do his bidding to help take over the realm of madness: "Second son of a second father. dead seed in a dead mother. Name him John to fool heaven and Panic for the other. God of fear he will deem, in the land of twisted dream. Spinner of blue nightmare, he will lay the world bare."

We find out that this is Lord Sin (last seen in Supreme #46) and that he has given her the gift of immortality, to help her do his bidding.

Esther wakes up in a mental hospital. Soon, they're giving her electroshock therapy (spoiler: Sylvia Plath woke up in a mental hospital after having been rescued from her suicide attempt, and was given poorly-administered electroshock therapy. However, she wrote highly of properly-administered electroshock therapy). The electricity created a blue gateway to the Azure. But this Azure is really weird. There's a blue tentacle thing that calls her mother and says that it is Johnny Panic and that it's a god. And that she will love his fear.

When she awoke, she started to see the blue madness of the Azure everywhere: "The world is a bad dream. We're hiding from the fear we feel all around us. But it runs through our veins. it's the only true thing. And johnny panic is its god."

She ended up in the Boston Mental Institute (again, something that really happened to Plath, and that was when she wrote the real story "Johnny Panic and the Bible of Dreams" about her experience... but I'll talk about that later this week). But now we see that there is no Esther Greenwood, there's only Sylvia Plath.

Now that this is revealed, it's cool to note that Esther Greenwood was the name of the character in Plath's "The Bell Jar" a semi-fictional account of her own teenage bout with depression and suicide.

Dax found Plath there and helped her get out of the mental institute and told her that when the time was right, he would, "help usher in my child king of madness." Plath tried to keep busy, marrying Ted Hughes and having a daughter and a son. But the shadow returned and she killed herself, sticking her head in the famous oven. "But when that fell apart, shadow and I reunited. I can still smell the gas from the oven as it clung to my lungs. As I fell down the black well of death's kiss."

But she awoke later in the morgue in England, where Dax's assistant, Cosmo, put a fake dead body in her place and rushed her away,

Johnny is now catching on, asking if she's really Sylvia Plath, but his mother says that, no, she has become Lady Lazarus (which was the name of one of her most famous poems).

Cosmo brought Sylvia back to the Wican family estate (which is the house Johnny was raised in), and Cosmo took the name Peter Paneczik. Cosmo's (or Peter) family had devised a device that could pluck the soul from the body, which might come in handy to try to tap into the Azure. There's a nice callback to Supreme, with an issue of Kid Supreme showing the Wican clan.

In 1979, she got her package from dead Dax, but she decided to go into the Azure again to talk to Johnny Panic, who told her it was time for the child who would become the god of fear.

But as Lil' Johnny grew, he was a disappointment to his mom. So she sent Peter off to infiltrate the Veil, where he took on the codename Bishop. He helped activate the portal to the Azure, but paid the price for it with his life (as we saw in Youngblood #1). But before he died, Peter inserted a splinter into the portal, jamming the portal open.

Lady Lazarus then told Johnny about the prophesy and that it's he who will make madness and fear "ever flood!" Johnny rushes off to help Youngblood.

Under the White House, Shaft gives a knockout arrow to Twilight and tries to goad the Occupant into taking over his body, but he gets slammed unconscious for it. Then the Secret Service show up with a tank and start attacking everybody! Suprema goes to deal with the tank (and a bickering pair of Clintons). Badrock/Occupant uses a sonic boom to knock out Twilight. Leonard tells Doc Rocket to get everyone out of the way while he deals with Badrock/Occupant. But Badrock/Occupant climbs up Big Brother and pries his way in to crush Leonard.

Leonard jumps out and autopilot sends Badrock/Occupant in Big Brother heading toward the House of Wax. Suprema saves Leonard and they all swipe Marine One to fly back to the House of Wax. They debate what to do and Leonard suggests that if the Occupnt won't leave, they may have to kill Badrock. Yeek!

At the mansion, though, they find Waxey having already captured Badrock/Occupant in wax that held Supreme. They ask Maximage to see if she can get the Occupant out and send him back where he belongs, but "there's something stuck in the gateway!" she screams. Her spell breaks apart and then the whole Azure seems to break through into our dimension.

Man, does a lot happen in this issue! I really enjoy what they did with bringing in Sylvia Plath and her writing, but worry that maybe she's not the most appropriate writer to bring in to make a deal with the devil. Even at this late date, is her actual suicide too much for a lighthearted superhero series to take on? What do you think?

As always, please check out the Annotations Page for more details and references and be sure to let me know any that I missed.

Friday, March 16, 2018

Ted Hughes and The Iron Man

Ted Hughes was a British poet who met and married Sylvia Plath. They had two children before an affair caused their separation. Plath, haunted by a lifelong depression, killed herself. Subsequently, she became a figure of meaning to a feminist movement, who saw in her life and death a symbol of oppression. Hughes was blamed for causing her death and for controlling her literary output up until his own death decades later.

But we'll get more into Plath, her life and legacy later. Instead, let's look at one of Hughes' best known works, "The Iron Man" (better known to U.S. audiences as "The Iron Giant," which is what it was changed to as not to be confused with Marvel's Iron Man). Published in 1968, it led to a sequel, "The Iron Woman," decades later, and to a wonderful animated movie, directed by Brad Bird.

From Wikipedia:

"The Iron Man arrives seemingly from nowhere, and his appearance is described in detail. To survive, he feeds on local farm equipment. When the farm hands discover their destroyed tractors and diggers, a trap is set consisting of a covered pit on which a red lorry is set as bait. Hogarth, a local boy, lures the Iron Man to the trap. The plan succeeds, and the Iron Man is buried alive. The next spring, the Iron Man digs himself free of the pit. To keep him out of the way, the boy Hogarth takes charge and brings the Iron Man to a metal scrap-heap to feast. The Iron Man promises not to cause further trouble for the locals, as long as no one troubles him.

"Time passes, and the Iron Man is treated as merely another member of the community. However, astronomers monitoring the sky make a frightening new discovery; an enormous space-being, resembling a dragon, moving from orbit to land on Earth. The creature (soon dubbed the "Space-Bat-Angel-Dragon") crashes heavily on Australia (which it is large enough to cover the whole of) and demands that humanity provide him with food.

"Terrified, humans send their armies to destroy the dragon, but it remains unharmed. When the Iron Man hears of this global threat, he allows himself to be disassembled and transported to Australia where he challenges the creature to a contest of strength. If the Iron Man can withstand the heat of burning petroleum for longer than the space being can withstand the heat of the Sun, the creature must obey the Iron Man's commands forevermore; if the Iron Man melts or is afraid of melting before the space being undergoes or fears pain in the Sun, the creature has permission to devour the whole Earth.

"After playing the game two rounds, the dragon is so badly burned that he no longer appears physically frightening. The Iron Man by contrast has only a deformed ear-lobe to show for his pains. The alien creature admits defeat.

"When asked why he came to Earth, the alien reveals that he is a peaceful "Star Spirit" who experienced excitement about the ongoing sights and sounds produced by the violent warfare of humanity. In his own life, he was a singer of the "music of the spheres"; the harmony of his kind that keeps the cosmos in balance in stable equilibrium.

"The Iron Man orders the Star Spirit to sing to the inhabitants of Earth, flying just behind the sunset, to help soothe humanity toward a sense of peace. The beauty of his music distracts the population from its egocentrism and tendency to fight, causing the first worldwide lasting peace."