Glory #2
Published by Avatar in January 2002
The covers:
Title: Alan Moore's Glory and the Gate of Tears Chapter 2: The End of Delight
(As always: Glory is currently out of print. There are a number of ways to read it, which can be found on the How do I read Moore's Awesome works page.)Welcome to the unintentional final issue of Glory. It still amazes me that they couldn't even make it through the four issues Avatar promised. I guess even Avatar had license to be Awesome. (I'll show myself out.)
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Then she's off to the diner, where she lets Gloria take over the body once more. It's such an interesting way to deal with a secret identity, to have it be two separate ones. It reminds me a bit of the Mike Moran/Miracleman relationship, if anyone remembers that. Hopefully this one will turn out better for the human half.
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Demeter approaches and Glory can tell that something is wrong. Demeter tells Glory about Lilith's visit, and how her garden hasn't been the same since. In fact, Demeter's ten of swords, also called Ruin, approaches and tells Glory that when ten blades turn against her, it will be the end of delight.
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Demeter: "Please be careful, my darling. Don't get tied to anyone. You tend to get enchanted so easily..."
Glory meets up with Hermoine and they head off to talk.
Meanwhile, Granger starts waking up and getting dressed. He's feeling ashamed at having slept with Gloria, even though she's clearly crazy. He notices her comics and thinks that maybe Gloria identifies with Glory, the superhero. He picks up one from 1954 and then we get our flashback... except it doesn't try very hard to feel like a flashback. Consider that this is an image of the Holliday Girls, whom the Danger Damsels are based on:
...and then look at what artist Matt Martin drew for the flashback:
The style ruins the whole point of the flashback, which was to lovingly capture the weird split between the fetishism of being bound and the innocence of the artwork. Instead, the whole thing feels tawdry and cheap.
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In the flashback, Glory is summoned telepathically by the Danger Damsels. At Miss Smart's School for Girls, Glory finds out that the Danger Damsels have been abducted by Madame Manacle, the ruler of Slaveria. In Slaveria, she finds the four Damsels bound up. They introduce themselves, revealing their characters as the rich girl, the fat girl, etc., but Matt Martin's art does nothing to distinguish any of them, ruining the joke. Ugh.
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And the flashback ends on a personal not for Granger:
"All people who try to tie women down have got a nerve, Wanda... especially ones who'd screw a poor lonely schizophrenic like that buttwipe Granger Troy did."
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Meanwhile, in Thule, Glory explains to Hermoine about her feelings for Granger.
Glory: "He loves Gloria so much, and he's afraid of hurting her. It's so silly..."
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During their next date, Granger slips the drug into Gloria's drink.
Glory, in Thule, wanders through Demeter's art pavilions, where artists come while they're working. The sky soon starts to grow dark and windy. The ten of swords is trying to wave to her.
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In Thule, the earth opens up and swallows Glory. In the Ninth Kingdom, Hecate, the goddess of magic, witchcraft, the night, moon, ghosts and necromancy, hears a cry. In the Sixth Kingdom, Helios, the sun god, says, "Oh no. Not again."
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The next issue would have been called Paradise Lost, but well, I guess it's just lost. It's such a shame, because, while very flawed, it was an interesting comic playing with some new ideas. Unfortunately, I haven't found any copies of the last two scripts Moore did for Glory nor any fan-creator issues.
Drat.
Okay, next week we'll finish off the last of Moore's Awesome works with Supreme #63. Prepare for the mother of all cliffhangers!
As always, please check out the Annotations Page for more details and references and be sure to let me know any that I missed.