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So a long time ago (the mid-1990s), the greatest writer in comics agreed to take over the writing duties for Image Comics' Supreme. He would radically reshape the character, the book, and due to forces beyond his control, a whole comic book universe. And it led to an award-winning run of comics, three additional titles (among several proposed) and ultimately led to the genesis of Moore's much better known America's Best Comics. And then it all went out of print and was forgotten by way too many.

Having gathered quite a bit of information about Moore's Supreme and Awesome runs, I decided to create a home for the forgotten Awesome. Over the course of a year, I put it all together here.

Each week I did a main "Weekly Reading" post that was a read-through of that issue. I followed that up with a couple of other posts about topics from that Weekly Reading or whatever else I came up with to talk about. You'll find the lost Youngbloods in the Youngblood section and the fan-edit of the last Supreme in After Awesome.

Below is the archive of posts broken up by book. Thanks for checking the site out!

Book 1: Supreme: The Story of the Year

Book 1: Judgment Day

Book 3: Supreme: The Return

Book 4: Youngblood

Book 5: Glory

Book 6: After Awesome

Book 7: 1963

Book 8: Night Raven

Book 9: A Small Killing

Wednesday, November 8, 2017

The dead man's hand

As you probably gathered from the Weekly Reading, I think an awful lot of issue #55 and its story about the killing of Wild Bill Hickok. I think there's a lot to be read into the story and the details that one could just gloss over (such as Elvis' song mentioned at the beginning).

Something that has always struck me as odd is this panel, the cutaway we get as Achilles shoots Bill in the back. We see the cards go flying and the sound of the gunshot. Moore is precise in his scripts and would have told Chris Sprouse exactly which cards to illustrate. But why these cards?


The hand Bill had at the time of his death was recorded and has been well known as the dead man's hand. But this isn't it.

Of the four cards he had, there were two black aces, two black eights and an unknown hole card. So we only have one correct card.

Here's the thing, though. Moore is a big believer in the Tarot. He worked it into his script for the Fashion Beast movie and deeply into Promethea. He believes in numbers and symbols.

So, let's look at what these four cards tell us. Reading them from left to right (as the reader does in Tarot) we first get the Queen of Hearts. 

According to The Cards of Life:

Charming, magnetic and often quite attractive, the Queen of Hearts has an innate ability to have favorable influence over others. The “Mother of Higher Love” commands powerful emotions of empathy and compassion with a flair for the dramatic, a potent combination that makes this card, when in a tight spot, prone to excitability or moodiness.

I think this represents the love Bill feels for Jessie.

Next up is the Six of Clubs. Again, according to The Cards of Life:

Finding and aligning with truth is the highest expression of the Six of Clubs. They represent the power, and the karma, of the spoken word. When they are meticulous with their words and thoughts, positive karma flows. Conversely, being less than honest brings consequences of that negative energy as well. Finding one’s truth and living by it, opens limitless possibilities for constructive contribution to life. Six of Clubs people are natural way-showers, light bearers, messengers, and often feel called to share their truth with others.
Until the Six of Clubs finds their truth, they can feel directionless and adrift. A classic procrastinator, the Six of Clubs can struggle to find their purpose and direction in life. 

With such power, however, comes responsibility. ...[L]earning the true meaning of power, and how it can corrupt the holder, is a life lesson for one who seeks their true purpose. Once their direction in life is clear, Six of Clubs people have all the innate resources to make a positive contribution to life whether it’s within their immediate circle of influence or on a larger, global scale.

I take this to be Bill, who when he was living honestly, was a force for good. He was well liked and respected. However, when he became corrupted and changed time, terrible things happened.

Then comes the Ace of Spades. The Cards of Life:

The Ace of Spades is the most spiritual card in the deck. It is the symbol of ancient mysteries... and the card that represents transformation.

It's also long been known in many traditions as the death card.

Finally comes the Two of Hearts. The Cards of Life:

Born into the Venus/Neptune position in the Master Life Script, the Two of Hearts comes to the world with a concept of ideal love and spends much of their life seeking it. They appreciate their friendships and make others feel appreciated and valued. Evident by their words and deeds, the focus is on the other. Often called the “sweetheart card,” they are pleasant and amiable people. Reality can at times be a harsh teacher so when the inevitable breach in the idealized relationship with friends or lovers occurs, the Two of Hearts feels more severely the dashing of their dreams rather than the actual unkindness.

And this is Future Woman, who has to pretend to be Jessie, who loves Bill as a friend, who has to see his face as he dies. The death of her ideal is the strongest felt blow.

Anyway, maybe this is what Moore meant, maybe not. Maybe it didn't mean anything other than the legends about Wild Bill's famous dead man's hand were untrue. Maybe reality is still not what it's supposed to be.

As with reading Tarot, ultimately it's in how the story is heard and processed and chosen to mean that gives it its power.

If you'd like a more traditional reading of the death of Hickok, there's this one from PokerStrategy.com: