Welcome

So a long time ago (the mid-1990s), the greatest writer in comics agreed to take over the writing duties for Image Comics' Supreme. He would radically reshape the character, the book, and due to forces beyond his control, a whole comic book universe. And it led to an award-winning run of comics, three additional titles (among several proposed) and ultimately led to the genesis of Moore's much better known America's Best Comics. And then it all went out of print and was forgotten by way too many.

Having gathered quite a bit of information about Moore's Supreme and Awesome runs, I decided to create a home for the forgotten Awesome. Over the course of a year, I put it all together here.

Each week I did a main "Weekly Reading" post that was a read-through of that issue. I followed that up with a couple of other posts about topics from that Weekly Reading or whatever else I came up with to talk about. You'll find the lost Youngbloods in the Youngblood section and the fan-edit of the last Supreme in After Awesome.

Below is the archive of posts broken up by book. Thanks for checking the site out!

Book 1: Supreme: The Story of the Year

Book 1: Judgment Day

Book 3: Supreme: The Return

Book 4: Youngblood

Book 5: Glory

Book 6: After Awesome

Book 7: 1963

Book 8: Night Raven

Book 9: A Small Killing

Wednesday, October 11, 2017

In Pictopia

Judgment Day was not the first time Alan Moore had mixed up genres of comics or even to do so to critique the comics industry. In 1986 Alan Moore contributed a little 8-page story to a benefit book called Anything Goes. I'm not going to get into the specifics of the book, but Moore's story soon expanded to 13 pages by illustrator Don Simpson and has long been hailed as a minor masterpiece.

The piece was originally called In Fictopia, but Simpson changed it to the more appropriate In Pictopia. In it, Moore tells the story of an older cartoon magician, Nocturno the Necromancer, who lives in a city of cartoon and comic characters. The older ones like him have fallen on hard times, living in the black and white slums. A new breed of superhero characters are moving in, taking over the city, leaving no room for the older-style characters.

It was an angry cry about what was happening in the comics industry, forgetting its past. Its message is not that dissimilar to the outcome of the Judgment Day trial, but in Judgment Day, there's a positivity that things can change. Perhaps Moore realized that to bring back stories of knights and cowboys and cartoon-like characters, it would take someone of immense stature in the industry to do it. Someone like Alan Moore.

Anyway, here is In Pictopia. It's been in and out of print a number of times, but is definitely worth owning. Check it out: